Aotearoa artist Hamo Dell (Ngāti Porou) makes a powerful return with her new single Bittersweet. Blending her signature R&B and reggae sound, Bittersweet explores the duality of love — uplifting yet painful, sweet yet heavy.

Aotearoa’s iconic soul diva Iva Lamkum makes a powerful return with her new single “Don’t Mind If I Do”, an undeniable feel-good anthem that radiates confidence and joy.

10 years after the release of her last ‘grown up’ album, award-winning singer/songwriter Anna van Riel is set to launch the first single from her upcoming album 'Letter to Myself,' due out November 27th.

Chasing Blues is Pareaute’s raw and uplifting anthem about love lost and self rediscovery. Blending heartfelt lyrics with imagery of freedom and renewal, the track captures the moment you let go, heal and find strength within. It’s a powerful reminder that chasing away the blues is really about finding a better place in yourself.

Ōtautahi-based artist Amber Carly Williams is making her mark in Aotearoa’s Alternative/Indie-Pop scene, playing shows around the country and sharing a vulnerability in her songwriting that entices listeners. With a powerful voice rich in soulful grit, and the skill to match on guitar, Amber delivers a live performance that leaves a mark.

UK-based Kiwi artist Lepani is putting a bold new twist on some of the world’s most recognizable songs. Inspired by the electrifying energy of anime intros, he has reimagined them into a four-track cover EP ‘You Heard It Before, But Not Like This’, blending soaring vocals, cinematic guitars, and high-energy pop-rock arrangements that channel the drama and intensity of anime soundtracks.

South Auckland’s Otara acclaimed roots reggae band, Three Houses Down, return with their bold new single ‘Shot Caller ‘and bringing back Aotearoa roots reggae music, written by Charlie Pome’e and produced by Dean Fraser and Shane Brown (Jukeboxx Jamaica).

Ōtautahi/Christchurch street‑party outfit Yurt Party return with “Ding Dong Swing,” a lean, lively instrumental built for dance floors and summer stages. The title started as a van joke on a South Island drive — the band were riffing on call‑and‑response shouts they use live. “Ding dong” stuck. It’s not deep. It’s just fun!