Turkey The Bird Sets Sail with "Men, Fish, Boat" Album Release Tour—Catch Three Unique Shows This Weekend!

New Zealand’s beloved folk trio, Turkey The Bird, is charting new waters as they continue their spirited *Men, Fish, Boat* album release tour! This weekend promises a memorable musical journey with three special shows in three unique venues across the North Island.

First up, we’re bringing the tunes to Palmerston North’s **Globe Theatre on Friday, 1st November. Expect rich harmonies, foot-stomping beats, and a vibrant atmosphere as we kick off the weekend. Known for turning every venue into a folk-fueled celebration, Turkey The Bird will have the Globe hopping!

Then, on Saturday, 2nd November, the magic continues at Ohau Hal, where fans can experience the trio’s signature blend of catchy folk tunes, humor, and storytelling. This rural hall provides an intimate setting that will bring you up close to the band's playful spirit and heartfelt songs.

Finally, it’s time to go full steam ahead with a truly one-of-a-kind performance aboard the Paddle Steamer Waimarie in Whanganui on Sunday, 3rd November! Climb aboard an authentic steam-powered vessel as we play amidst the breathtaking backdrop of the Whanganui River. With soulful melodies floating on the breeze, this show promises to be unforgettable.

All shows feature music from “Men, Fish, Boat”, Turkey The Bird’s latest album packed with catchy, heartfelt folk tracks, including “These Birds,” a lively collaboration with The Nukes. Each show is packed with laughter, stories, and a good dose of classic Turkey The Bird charisma. Don’t miss out on this tour that celebrates the release of our new album in true Kiwi folk style!

Grab your tickets now at www.turkeythebird.co.nz and get ready for a weekend of fun, music, and a few surprises along the way. See you there!

Moana & the Tribe release final single & video - ‘Ātahu’, from new album ONO

Six Songs, Six Nations, One Voice

The final single, ‘Ātahu’ is released today, Monday, October 28. It just happens to be a significant date in Aotearoa New Zealand. In 1835 He Whakaputanga o te Rangatiratanga o Nu Tireni recognised the sovereignty of Māori tribes or nations in Aotearoa. In 2024, October 28 is also the Labour Day public holiday commemorating the struggle to achieve an eight-hour working day back in 1890 - and the ongoing rights of workers.

‘Ātahu’ is a mixture of spoken word, whispers, haunting refrains and ‘oli chants. The theme of the waiata is magic. It’s a love charm. The guest vocalist, Kaumakaiwa Kanaka'ole weaves a spell in and around the seductive groove created by Paddy Free. 

Moana Maniapoto reflects, “I was keen to find a Hawaiian vocalist for our final song but struggled. I mentioned it to reo advocate Hemi Kelly and he recommended Kaumakaiwa. My manager Sol tracked her down and I flew to O‘ahu to be with her when she recorded her vocals. Kaumakaiwa reminded me that we’d met 20 years ago amid the dusty, majestic ruins of Greece. My group represented Aotearoa New Zealand in the Cultural Olympiad that led up to the 2004 Olympic Games in Athens. 

“Kaumakaiwa was a teenager then, the star of the Hawaiians’ group. Since then the transgender Hawaiian (mahu wahine) has been described as “the voice of a generation”. It was astounding and perhaps prescient that we ended up collaborating again twenty years after - like it was meant to be."

Listen to the latest single HERE

ONO means six in Māori. It is also the title of a concept album project that begins in Aotearoa New Zealand and travels the world. Each song showcases the voice, language and culture of six Indigenous wāhine from lands where Moana & the Tribe has performed. 

The Māori lyrics written by Te Manahau Scotty Morrison are inspired by traditional karakia (incantations) and pay homage to “people power”, relationships and language. 

From the Arctic Circle to the highlands of Scotland; from Canada to the misty mountains of Taipei; out of Australia and up to the islands of Hawai‘i, producers Paddy Free and Moana Maniapoto mix sublime vocals with electronica-dub to create a World Music album that symbolises hope and unity.

ONO,  Moana & the Tribe’s sixth studio album, is released November 1, 2024 on LP, CD and digital via Black Pearl Ltd.

Pre-Save the digital album ONO: HERE

Tablefox releases soul-stirring anthem 'Where Do I Belong?'

Tablefox are thrilled to announce the release of their new single, 'Where Do I Belong?'. 

Set to launch on November 1st, following the success of their hit 'Don't Wait for Me to Be What You Want Me to Be', this latest track is primed to become a live anthem, ideal for the Kiwi summer festival scene and beyond.

'Where Do I Belong?' invites listeners to embrace the uncertainty of life, reminding us that it’s perfectly okay to take your time in finding your path. With its uplifting message, the song encourages everyone to enjoy the journey, no matter how long it takes.

The single boasts the exceptional talents of engineer and mixer Scott Seabright, known for his work with Mumford & Sons and SIX60, alongside mastering by Leon Zervos, who has collaborated with iconic bands such as Midnight Oil and Aerosmith. 
With such remarkable expertise behind the scenes, 'Where Do I Belong?' is set to be a standout release.

The band are playing a special release show at Auckland's 'The Mothership' on Nov 2nd to mark the occasion.

Excited to be supporting Jon Toogood in London and Bristol, Kylie Price releases “Next Of Kin - Live Acoustic Session"

Next Of Kin was co-written with Ben Mark from Kassner Music, known for his work with Take That, The Script, and Gavin James

Pre-Save Next Of Kin Live Acoustic Here 

Kylie Price Supporting Jon Toogood Here 

Jon Toogood, Bristol - The Crofter’s Rights Nov 29th 

Jon Toogood, London - The Water Rats Nov 28th

London based Kylie Price, the captivating songstress who traces her roots to the picturesque landscapes of New Zealand and the vibrant culture of the Philippines. Kylie's music seamlessly blends deeply emotional lyricism with irresistible hooks, creating a sound that is both introspective and universally relatable.

Embarking on her musical journey as a Singer-Songwriter in the Country genre, Kylie fearlessly transitioned into the dynamic realm of Pop, a move that proved to be immensely successful. 

Her single 'Perfect' soared to #6 on the Official NZ Music Charts, a testament to her growing influence. The triumph continued with her second single, 'Stay,' claiming the #5 spot on the same prestigious platform.

Embracing new horizons, Kylie made the courageous move to London, where she graced iconic venues such as The Camden Chapel, Slaughtered Lamb, and sold out headline shows at the historical Green Note in Camden. 

Her performances, infused with a unique blend of Kiwi and Filipino influences, captivate audiences, leaving an indelible mark.

Drawing inspiration from her diverse cultural background, Kylie is currently immersed in the vibrant music scene of London, collaborating with talented producers to shape her sonic landscape. This phase of her journey sees her pushing artistic boundaries, solidifying her identity not just as a remarkable singer but also as a skilled songwriter with a global perspective.

With a string of successes under her belt and a commitment to embracing her Filipino heritage, Kylie Price is poised to make a lasting impact on the global music stage. Watch as this Kiwi-Filipina artist continues to evolve, leaving an indelible imprint on hearts and charts alike, celebrating the richness of her heritage through her music.

Aotearoa alt-pop trio PAPERCITY unveil driving new single ‘Sofa’

Listen to ‘Sofa’ HERE

Tāmaki Makaurau-based trio PAPERCITY have today released their soon-to-be smash hit ‘Sofa’!

An epic combination of electronic beats, gritty guitars, textural synths and a vulnerable message, ‘Sofa’ is yet another exciting hit from PAPERCITY (Alex Hargreaves, Sam Edmonds, Jack Rollinson), the group have cultivated a uniquely alternative synth-pop sound, with hints of emo and punk.

“It’s about the isolation of feeling hurt and the effort to keep your struggles hidden,” says lead singer and guitarist Alex - who also directed the track’s extraordinary music video - out 1 November!

‘Sofa’ follows the trio’s 2019 and 2020 singles ‘Plastic’ and ‘Feel’, the latter of which saw huge love across Aotearoa and abroad - placing on both the Hot NZ Singles Chart and the NZ iTunes Chart. The track saw radioplay across NZ, was added to BBC Radio One’s Hot New Music and Alt Indie & Electric Pop playlists, and the music video won the Top of the South Film Festival Best Music Video award.

Alongside their self-directed visuals, PAPERCITY are a truly grassroots project - with today’s track produced by Sam’s brother Josh Edmonds, recorded across the group’s hometown of Nelson and Josh’s home studio in Auckland. The group also collaborated with friend Ryan Beehre (Minuit) on the track, playing with new sonic textures and music that “feels really exciting to play live.”

“‘Sofa’ is one of those songs that you write in a dark room alone and then nervously play to the band a couple of months later,” says Alex. “We spent a lot of time recording lots of little synth parts for this song. There’s a lot of guitars that sound like synths and synths that sound like guitars in it.”

Alex has directed all of the group’s videos thus far - alongside directing music videos for the likes of Alien Weaponry, Jujulipps and Devilskin. Their epic upcoming clip is loosely based off the 1960’s science fiction TV series The Prisoner and was filmed across Tāmaki Makaurau and Queenstown.

“In The Prisoner, A guy wakes up in a strange village and, if he tries to leave, a great big orb chases him down and tries to swallow him,” explains Alex. “It ties into the feeling of your emotions or thoughts chasing you - but in the video, it’s the whole band trying to get away from the orb, because you’re not really alone.”

An incredible display of the group's multifaceted talent across music and storytelling, ‘Sofa’ is bound to take Aotearoa listeners by storm - so you won’t want to miss it!

Straight out of Nelson, NZ, PAPERCITY is a hard-edged pop band that packs a punch. They blend relatable lyrics with a dose of guitar-based aggression and unforgettable hooks, creating a sound that's both raw and infectious. Their live shows are a high-octane blast, charged with a distinctive punk-inspired energy that leaves a lasting impression.

Find PAPERCITY

Website | Linktree | Youtube | Facebook | Instagram | TikTok | Spotify | Apple

L.A. Mitchell shares soaring and profound new single ‘Mother’

Listen HERE

Bona fide Aotearoa talent L.A. Mitchell (Lauren Barus) has today peeled back another layer to her artistry, with her raw and bold new single, ‘Mother’.

Ruminating on the trials of the 21st century, ‘Mother’ is a masterclass in the tender songwriting capabilities of L.A. Mitchell - an artist who has proved time and time again her gift for soaring and introspective reflections on the human experience. The track treats us to the grandeur of Lauren’s piano, cinematic drums and emotive vocals - beautifully encapsulating the soundscape of motherhood, coming of age, and yearning for change.

“‘Mother’ is a lament from the perspective of the child watching the world, and the distractions that remove the attention of the parent,” explains Lauren. “But also a lament from a parent that this world isn’t fit to raise a child in. That what you have to do to meet the needs materially directly impacts your ability to meet their needs emotionally, and that we constantly compromise and constantly lament having to compromise.”

Already an established force in Aotearoa music, Lauren’s expansive career has seen her writing, touring, and recording with kiwi legends such as Dave Dobbyn, Bic Runga, Tim Finn, Anna Coddington, Sola Rosa, Dukes, Troy Kingi, Dallas Tamaira, and more. Just recently, she was a finalist for the 2024 Best Folk Artist award at the AMAs for her work with husband Matt Barus in Terrible Sons.

Now, ‘Mother’ takes us deeper into Lauren’s world, following recent singles ‘Glove’ (Rolling Stone, Radio Active, R1, The May Magazine) and ‘Slow Dancing’ (RadioScope Alt Chart, 95bFM, Radio Active, RDU, R1) in what is proving to be a triumphant return to solo releases.

Written during Lauren’s own journey of shifting her music-making journey through parenthood, ‘Mother’ was written and recorded at the artist’s home studio in Diamond Harbour, alongside producer Mark Perkins. Regular collaborator Naomi Haussman worked with the artist on yet another gorgeous visualiser for the track, set to be released in the coming weeks.

“This song is a protest against the insufficiency of our current world-view on what is best for the future; the ignorance of leadership to properly value parenting, caring, nurturing and gentleness,” says Lauren. “We all absorb social narratives to be more productive and economically driven, while all the things that matter to our kids - attention, love, nurturing, comfort, tenderness and gentleness - are the opposite, and require the opposite from us.

“I hate watching what that cycle does to me and what conclusions my children are drawing about themselves because of what they see.”

A powerful, poignant and defiant message from L.A. Mitchell, fans will not want to miss the opportunity to bare witness to her upcoming national solo tour! Alongside these stunning performances, Lauren offers a chance for women to reconnect with their voice and power, leading a series of vocal workshops while on the road!

Tickets and more info for shows and workshops from lamitchell.nz

L.A. Mitchell - Meaningful Work - Solo Tour

November 9 - NCMA, Nelson

November 16 - The Chamber room, Christchurch

November 23 - Ahumairangi studios, Wellington

December 7 - Pitt St Methodist church, Auckland

Follow L.A. Mitchell

Instagram | Facebook | Tiktok | Spotify | Youtube | Soundcloud | Apple

Aotearoa’s BORDERLINE release fresh new single ‘HEARTBEAT’

Tāmaki Makaurau (Auckland)-based indie pop group Borderline have been generating significant momentum in Aotearoa/NZ in recent years. Their blend of tight indie arrangements, coupled with natural confidence and charm as stage performers have firmly positioned them on the Aotearoa/NZ radar as ones to watch.

With the release of their new single, ‘Heartbeat’, the four-piece have kicked things up another notch in offering new and longtime fans alike an indication of exciting things to come.

The band, comprising Ben Glanfield (vocals, guitar), Matthew McFadden (guitar), Jackson Boswell (drums, vocals) and Max Harries (bass), have known each other since childhood. Together, they have grown a natural chemistry as friends and now, musicians. As a band, Borderline’s debut EP Perfect Movie Scene introduced a band with a clear vision, and music to match their bright and vibrant energy.

‘Heartbeat’ continues to fuel this connection and journey. Recorded at the iconic Roundhead Studios with producer Joel Jones (Will Swinton, alayna), Borderline also worked with the talented Nic Manders (Georgia Lines, Six60) and Vivek Gabriel (The Paper Kites, Mice on Stilts) on mixing and mastering.

Of the song, Borderline explains that ‘Heartbeat’ is the start of a new era for the band.

“We’re starting to focus more on what the song makes you feel and that was really exciting to explore in the studio. We put real emotion into the songwriting and sound choices, and it really captures the essence of not only who we are as a band, but as people too. That’s something others will be able to resonate with.”

BORDERLINE

Accompanying the release of ‘Heartbeat’, Borderline have shared the single’s music video, directed by collaborator Tom Grut (Jujulipps, Foley). Rich in colour and warmth, the video captures the essence of the band with ease.

The nostalgic energy matches some of the messaging of the song itself with the band commenting, “Lyrically, ‘Heartbeat’ was inspired by the portrayal of high school proms/balls in nostalgic movies and series. We tried our best to capture the high energy and good feelings you get from those moments on screen.” BORDERLINE

WATCH ‘HEARTBEAT’ MUSIC VIDEO

As a live band, Borderline have been racking up impressive support slots in Aotearoa, performing alongside artists including Drax Project, ZED and Teenage Dads. To support the release of ‘Heartbeat’, the band will be bringing their fun live show to Australia performing three shows in New South Wales this October, including a single launch party alongside friends FOLEY and YAHYAH.

BORDERLINE LIVE SHOWS

‘Heartbeat’ Release Party

Friday October 25th The Loft on Broadway SYDNEY

w/ special guests FOLEY & YAHYAH  TICKETS

Saturday 26 October Shark Bar MANLY RSVP

Sunday 27 October The North Gong WOLLONGONG RSVP

Friday 1 November, U18 Warehouse Party, Auckland  TICKETS

PRAISE

“...catchy tunes, with pop-oriented tracks occasionally taking a rockier or funkier turn, as clear influences The 1975 are prone to doing. Think bright guitars and synth lines, swirling chorus hooks…”

ROLLING STONE AU/NZ

“Their genre bending melodies are not only unique but incredibly catchy…”

RED RAVEN NEWS (NZ)

“..they have managed to bring together elements of the classic Dunedin sound with 80’s UK indie bands such as Pulp and Suede to create something which has some nice guitars yet also contains plenty of pop melodies.”

MUZIC.NET.NZ (NZ)

‘HEARTBEAT’ is out Friday 25 October.

BORDERLINE: Instagram | YouTube | TikTok

TSENATE ANNOUNCES NEW SINGLE ‘ WORST THING I COULD DO’

New Zealand R&B songbird TSENATE embarks on her journey in Melbourn and unveiled her latest single “worst thing i could do” produced by Christian Tjandrawinata.

“worst thing i could do” is one of TSENATE’s most lyrically complex tracks, drawing inspiration from artists like  Faye Webster , Clairo, and boygenuis. This track reflects the indie musicians TSENATE is drawn to and highlights her exploration beyond her familiar R&B and Neo-Soul sound. 

Listen to ‘worst thing i could do’ here

While she has thoroughly enjoyed these genres, she sought to venture into and experiment with a variety of different sounds, adding a fresh dimension to her music. “I think it’s super important for me to play around with different vocal and production styles,” she explains. “Especially so early into my career, I think it’s good to explore different avenues and see what best suits me and my overall vision.”

‘worst thing i could do’  displays the ways in which TSENATE struggles to move on from things of the past. “I used to seriously think that falling in love was a waste of energy or time if it didn’t ‘last’ or if it wasn’t a ‘forever’ thing,” she reflects. “I’ve grown to understand that there’s something super beautiful about appreciating a period of time with someone and, regardless of whether it ends up working out or not, that it was something I was meant to experience.” 

This track perfectly tells how two seemingly conflicting emotions can coexist, revealing the complexity of her journey through love and healing.

With new music on the horizon and more tunes coming soon..