THE PHOENIX FOUNDATION On tour and new music

Auckland - Double Whammy - Friday the 13th of December (tix from Under The Radar)

Wellington - Meow - Saturday the 14th (tix from Moshtix)

2025, another putrid rotten avocado of a year will be mildly improved by the ridiculously exciting news that New Zealand’s favourite ever chumps The Phoenix Foundation are heading out on tour and releasing their first new music since 2020 (remember that shithole of a year, was life BETTER THEN WTF?). 

These are the bands first classic, normal, unfancy gigs in years and they are frothing to get out and just play some music and reconnect with their friends and fans (and enemies?) in Auckland and Wellington. December is a nightmare right? Get the heck away from those awkward staff parties, avoid all Christmas in the park bullshit and come see Aotearoa’s best band be the best band that this band can possibly be. 

They will play their new songs AND they will play their old songs. That's the way gigs work. 

TPF used the week between their two Camp A Low Hum appearances earlier this year,  to hang out in a recording studio together like a normal old fashioned band and the results, as we’ve come to expect from these bozos, is equally uplifting and depressing. When you hear this music a fever will take control of your insides and you will feel a strong urge to jump on X, formerly known as Twitter, formerly known as talking to each other, and say “Mamma mia, those phoenicians have done it again!” Do not fight that urge. 

The first new single will arrive on streaming services this November, the 28th, that's a Friday. We can’t say much just ponder this “The squeaky wheel gets the grease, while the butcher gets the golden geese, the killer gets to be released tonight.” Sounds fun? Spoiler alert; this world is not a very nice place. 

Really amazing, really qualified support acts to be announced via fax. Please forward us your FAX numbers. 

Bandcamp

Instagram

Facebook

X / Twitter

Spotify

‘LOVESICK’ (ft Anderson Rocio)

A heartfelt anthem for anyone who's ever been "lovesick."

“I don't know if ‘love sickness’ is a real thing but it sure feels real - this song is a product of that.” - Jack Robertson

Auckland based, multi instrumentalist, singer-songwriter Jack Robertson has teamed up with acclaimed artist, Anderson Rocio for a heart searing new single, “Lovesick”. The poignant duet follows both sides of the end of romance imploring, “what did you know that I didn't”?

A intercontinental collaboration, the up and coming Robertson met Rocio when she spoke at the University of Auckland, “Anderson came into the University to share her music industry experience, seeking advice, I sent her a couple demos including, “Lovesick”... within a couple of months, we were making a version of the song together.”

Of the song, Rocio recalls being captivated by Jack’s voice and his thoughtful songwriting, “The concept of being ‘lovesick’ really hooked me," she laments, "I’ve truly felt it before, but I’ve never heard it expressed that way”

The track is driven by Jack’s sincere vocal and heartworn lyrics that intertwined with Anderson’s distinctive wail paint an honest portrayal of unrequited love in all of its longing and confusion. It reflects the emotional complexity of letting go and that fine line between love and heartbreak.

‘Lovesick’ is available everywhere November 13th via Anderson Rocio’s independent label, Riverine Records

THE PICNIC MINI FESTIVAL

We’re now a week out from The Picnic, a mini-fest featuring a smorgasbord of epic local acts hosted by Marmalade and Rat World.

It’s time to truly sink your teeth into the local music scene, and there’s no better time than now! With a lineup of Auckland's finest up-and-coming artists, park yourself up at The Picnic to enjoy sets from Macey, Marmalade, The Dawns, Fan Club, and Psycho Gab.

Rat World are bringing on young music journalists to cover each artist before and during the event through reviews, interviews and photo and video content. This event is curated to uplift both artists and journalists alongside creating an epic night of live music.

Marmalade are also pumped to celebrate the release of their debut EP ‘Sober’ that is fresh to the world since Friday. A timestamp of the band's first chapter, this EP encapsulates the journey from the birth of Marmalade to the band's teenagehood.

Sharing their release day is co-headliner Macey with his latest EP ‘how to say goodbye’. With new music from both acts, The Picnic is going to be a release party for both Marmalade and Macey.

Come to The Picnic and you will undoubtedly leave with a plethora of new favorite songs and artists. We hope this re-ignites your love for the Auckland music scene.

Supported by Auckland City of Music, Pals, and the Tuning Fork.

CHRISTCHURCH ARTIST PHOEBE VIC ANNOUNCES SELF-DEPRECATING DISS-TRACK

Hot off her appearance at GO Live Festival in July and preparing for her summer circuit debut at Nostalgia Festival early next year, Phoebe Vic releases Wasn’t That Deep - a fierce and firmly tongue-in-cheek, self deprecating diss-track about an online dating app match gone sour.

“I think this is a common experience for a lot of people in this modern dating game,” says Vic. “I had built up this relationship so much over such a short period of time that when it turned out that this person wasn’t that into me, I was so devastated! It was very f***ing embarrassing and I was extremely annoyed that I cared so much!”

Wasn’t That Deep was created alongside APRA Silver Scroll nominee and producer, Emily C. Browning, with mix and master completed by Stephen Marr.

“Phoebe came into the session wanting to make something guttural and pulsating, like some kind of pounding headache in song form.” Emily explains. “I think we achieved that pretty well with some freaky synths and samples. There’s also an element of silliness that I really enjoyed playing with.”

Drawing on various musical references and genres, ‘Wasn’t That Deep’ ducks in and out of a rolling trap-hat rhythm. It’s punctuated with horse whinnies and dog barks, before shifting abruptly into “rose tinted glasses” romanticism - complete with bird tweets and arpeggiated synth strings.

“When Emily and I were making the song, I wanted the music production to feel really in your face and intense and to go in all these different directions - which is what your emotions are like when you are having these repeated attempts and failures of connection.” Vic says.

“The chorus chant “Wasn’t That Deep!” is like a mantra to myself - I should just “get over it!” As if it is ever that easy!”

Wasn’t That Deep is released alongside a music video, shot on a 2005 digital camera in the middle of the night, in Emily’s backyard.

Please note that this video contains some nudity, coarse language and adult content.

SWISS 'PEPA'

SWISS, returns with a captivating 'ode to' ..
Self, Family, Love and Music…. His most personal work to date, 

‘’PEPA’’ is an ode to ‘the journey’.

After a 14-year career that started with his acclaimed debut Lucky Man (2013), SWISS, a Proud Tongan NZ is back to take the industry by storm with his long-awaited second album, PEPA. Powered by BLK ENTERTAINMENT, DRM NZ, and with support from NZ On Air, this project marks a significant chapter in his musical journey.

PEPA—an ode to ‘the journey’—draws its title from a part of Swiss’ government name, symbolising personal connection and growth. This album blends soulful, thought -provoking, and heartfelt melodies, offering something for everyone. From start to finish, each track is carefully crafted by Swiss, who executive-produced, mixed, and mastered the entire project himself. PEPA promises to touch the heart and move the feet, showcasing SWISS' elevation as an artist.

This body of work represents more than just music—it’s a reclaiming of joy, passion, and a return to his roots. With this album, SWISS embarks on a new era, encouraging self-expression and inspiring others to follow their dreams. His lyrics and real-life experiences offer a message of hope and motivation, a reflection of his journey as an artist and individual, to inspire others to go after their dreams.

"PEPA’’ ..brings all generations 'Swiss' together, like you’ve never heard before.

ABOUT SWISS

SWISS is a proud Tongan-New Zealand artist, born in Lower Hutt, NZ, and raised in Brisbane, Australia. Now residing in Auckland, the 32-year-old celebrated Pasifika musician is making waves in the NZ music scene with the announcement of his upcoming album, PEPA.

A talented singer, songwriter, executive producer, and live performer, SWISS has established himself as a leading artist of today. His music draws inspiration from his family, faith, and the pursuit of reaching his fullest potential. He first captured international attention in 2012 with his debut single, Slow Wind, and quickly made his mark by signing with the iconic NZ label Dawn Raid Entertainment. Together, they released the Mr Slow Wind EP (2012) and the Lucky Man album (2013), earning him the Best Pacific Male Artist and People's Choice Pacific Music Awards.

In 2015, SWISS took his career into his own hands, becoming an independent artist and founding BLK ENTERTAINMENT LTD, a successful independent record label that he continues to run today.

By 2024, SWISS has grown both personally and professionally, with a diverse catalogue and a dedicated fan base. His hit single If Tomorrow Never Comes and independently released tracks She Don’t Want My Love and Homebound are all RIAA-certified gold. He has performed across the globe, including in the USA, Hawaii, Australia, Samoa, Tonga, Niue, Solomon Islands, Fiji, and the Cook Islands.

This year, SWISS headlined major Pasifika and Poly festivals in Christchurch, Levin, Dunedin, and Porirua, as well as in Sydney, Melbourne, and Brisbane, Australia. Through his music, SWISS continues to inspire self-expression and serves as a positive influence, spreading messages of hope, light, and possibility.

                                                PEPA will be available on all platforms on Friday, November 8.    

WATCH VIDEO HERE       

CAITLIN's EP Legacy Out Now

Ōtautahi-based singer-songwriter Caitlin Bradley (CAITLIN) is set to release her highly anticipated EP Legacy on November 8th, 2024. This EP showcases Caitlin’s signature blend of indie-folk and alt-pop, delving deep into personal and reflective themes. Featuring three acclaimed singles—"Light Leak”, "What You Love”, and “Legacy” — alongside a brand new track, “Attention”. Legacy captures Caitlin’s vulnerability, artistic growth, and bold storytelling.

Legacy

The EP’s title track, "Legacy," dives into the struggles faced by artists when pursuing their dreams. Described as “a deeply personal track that explores the fear of never leaving a mark”, Caitlin examines the emotional cost of chasing a creative career. Produced alongside Emily C. Browning, the song’s lush production evokes the feeling of "floating on your back in deep water" with layers of guitars and rich vocals that capture the intensity of her inner turmoil. It’s a raw and honest reflection on ambition, failure, and hope.

Light Leak

Fan-favourite “Light Leak" embraces the theme of vulnerability and the bittersweet process of letting go. As Caitlin explains, “I’m telling a story of letting go of a sweet future you imagined and held dearly, accepting your fate, and walking away from it with a bittersweet taste.” Produced by Will McGillivray, the indie-folk track features intimate vocals and a soundscape that alludes to the styles of Ethan Gruska and Bon Iver with rich, acoustic textures. “Light Leak” highlights Caitlin’s ability to craft deeply emotional and delicate melodies.

What You Love

"What You Love" explores the tension between capitalism and kaitiakitanga, addressing feelings of being a young person in the corporate world. Caitlin delivers her meditations with a stunning melody, haunting backing vocals, a driving acoustic sound, and strong lyrical imagery. The song is a reflection of her passion for the environment and the challenges of confronting corporate greed. The track beautifully connects with traditional Māori values, where people are seen as protectors and part of the land rather than its owners.

Attention

The EP also introduces "Attention," a new song that continues Caitlin’s introspective journey, this time exploring the challenges of social media addiction and the struggle of being constantly tied to technology. The song delves into the way companies and individuals fight for your attention through a screen, leaving you feeling like all your time is soaked up. With its reflective lyrics and immersive dark sound, "Attention" adds another layer of emotional depth to Legacy, resonating with anyone who has felt overwhelmed by the demands of the digital world.

Caitlin’s Legacy is an immersive and heartfelt exploration of the ups and downs of artistic pursuit, self-reflection, and environmental awareness. With its richly layered soundscapes and poignant lyrics, the EP invites listeners into a deeply personal world while showcasing Caitlin’s growth as an artist.

Legacy will be available on all streaming platforms starting November 8th, 2024.

Links

Follow and listen to Caitlin’s music here: https://linktr.ee/caitlinmusic

Listen to Legacy here: https://music.drm.co.nz/caitlin-legacy-ep

ADAM HATTAWAY RELEASES FRUSTRATINGLY QUIET ALBUM ‘HIGH HORSE’ PRODUCED BY MARLON WILLIAMS

Adam Hattaway has released his sixth full length album today. High Horse, produced by Marlon Williams has taken a shift in style for the alt-rock’n’roll singer. Striving to create an album that is ‘‘frustratingly quiet’’ High Horse is a dark yet warm, reverb soaked, rainy day collection of loner anthems. Carefully produced vocals, layered acoustic guitars, strings, midi keyboards and drum machines, a contrast from previous electric guitar laden, roisterous albums.

Songs inspired by crime scene photography, drug assisted exercise, dark places and cowboys. The LP features singles High Horse, Good Times and Ain’t No Surprise, a track written by Marlon Williams ‘Smile’ and focus track ‘If You Got Nowhere Else to Go’ - a track about the merciful hospitality of late night drifting visitors.

‘‘We’ve already heard the knockout title track – a real highlight from his recent gig at Wine Cellar. Offering a fresh sound from the prolific band’’ - Rolling Stone AU/NZ

Recorded at Te Rā studio in Canterbury’s picturesque Te Waipapa/Diamond Harbour the album records Adam Hattaway and Haunters co-writer Elmore Jones,

it features musicianship from Marlon Williams, Engineer Mark Perkins (Merk), Erny Belle and Ray Suen (Lorde, The Flaming Lips).

Adam Hattaway and The Haunters have firmly established themselves in New Zealand over the past six years. Touring relentlessly across the motu including festivals such as Nest Fest, The Others Way, Nostalgia and Electric Avenue. Opening for the likes of Don McGlashan, Hattaway has joined Jon Toogood, Marlon Williams, Pluto and Barry Saunders on stage.

Adam Hattaway - High Horse

Available digitally, compact disc and vinyl via Leather Jacket Records.

BUY HIGH HORSE HERE

Adam Hattaway & The Haunters Australasian Tour

Nov 07
Oamaru - Grainstore Gallery
w/ Just Janie & Sig Wilder

Nov 08
Ōtepoti - Pearl Diver
w/ Mads Harrop

Nov 09
Ophir - Peace Memorial Hall
w/ Just Janie & Sig Wilder

Nov 16
Melbourne - Northcote Social Club
Supporting Jon Toogood

Nov 22
Melbourne - Merri Creek Tavern
w/ AC Saunders

Nov 23

Melbourne - The Beast

Supporting Nick Batterham

Nov 30
Ōtautahi - The Loons
w/ Lorina Harding

Dec 06
Tāmaki Makaurau - Whammy Bar
w/ Arahi

Dec 07
Takapau - Sanctuary Sounds Festival

Tickets from adamhattaway.com

Yurt Party Releases Afrobeat-Inspired Track "Fela"

Yurt Party is thrilled to announce the release of their latest single, "Fela," originally inspired by the Afrobeat legend Fela Kuti, and transmogrified by the band’s signature mischief, flair and dub. Their latest tune comes after nationwide release tours and a series of explosive performances at festivals across New Zealand, including Cuba Dupa, Tora Bombora, and Twisted Frequency. 

Instrumentally, "Fela" features the unmistakable sound of a Farfisa organ drenched in dubbed-out tape delay. The tape delay unit used was found on a side quest during their recent tour in Auckland. “We’re loving the sound and soul of this old tape machine,” says the band, “but the actual tape isn’t made anymore! So when it breaks, out comes the sellotape!”

Known for their energetic live shows and genre-blending sound, Yurt Party continue to push musical boundaries, blending traditional inspirations with modern twists and playful experimentation. The release is a precursor to a festival filled summer and an album release next year.

Available now on all major streaming platforms, "Fela" is a must-listen for fans of off-the-grid dance music and those who appreciate music that defies convention.