Clap Clap Riot Announce First NZ Tour in Seven Years
The ever-energetic indie-rock outfit Clap Clap Riot are thrilled to announce a three-date tour of Aotearoa, marking their most substantial run of live shows in several years. The trek begins in Wellington/Te Whanganui-a-Tara on Friday, May 22 before taking in Auckland/Tāmaki Makaurau on Saturday, May 23 and wrapping up in Christchurch/Ōtautahi on Saturday, June 6.
The ever-energetic indie-rock outfit Clap Clap Riot are thrilled to announce a three-date tour of Aotearoa, marking their most substantial run of live shows in several years.
The trek begins in Wellington/Te Whanganui-a-Tara on Friday, May 22 before taking in Auckland/Tāmaki Makaurau on Saturday, May 23 and wrapping up in Christchurch/Ōtautahi on Saturday, June 6.
The tour aligns with the release of the band’s latest single, “Like a Lover”, a raw yet catchy track that explores the emotional fallout of messed-up relationships and the powerful moment of realisation when someone sees they’ve been used.
Stephen Heard, frontman of Clap Clap Riot, says the band look forward to reconnecting with audiences and sharing both new songs and beloved classics from their ever-evolving catalogue.
“We feel more than ready to get back out on the road. We can't wait to finally share the material we started working on in 2019. These songs have been living in our heads for a long time and are some of the most dynamic we've ever produced. We're itching to play them live and loud and reconnect with everyone face-to-face.”
The band’s last full-scale tour of New Zealand was their 10 Year Anniversary Tour in 2019, which celebrated a decade of the band’s signature blend of infectious guitar hooks and sharp-edged rock.
Clap Clap Riot NZ tour dates:
Friday, May 22 - Meow, Wellington
Saturday, May 23 - Whammy Bar, Auckland
Saturday, June 6 - The Loons, Christchurch
Field Recordings, Hydrophones, Bass music and Collaboration: Matt Sephton Releases Debut Album VĀ
VĀ, releasing today, is the result of that time of sonic and cultural exploration. A place-based work merging field recordings, found sounds, hydrophone experiments, collaborations with the land and people, blended with bass heavy electronic production.
In the NZ winter of 2025, Coromandel based artist Matt Sephton and his wife - ceramic artist Caitlin Moloney - journeyed on their first explorative artist residency together, to the Tiapapata Art Centre in the hills above Apia, Samoa. Both arrived with their respective tools: microphones, field recorders, ceramic tools, and no idea of the outcome.
The purpose of this residency was simple: to step outside familiar surroundings, be immersed in a different culture, and see how being in a new environment might transform their work. Listening and creating: to the land, the water, the people, and to what exists in the space between.
VĀ, released 27 March 2026, is the result of that time of sonic and cultural exploration. A place-based work merging field recordings, found sounds, hydrophone experiments, collaborations with the land and people, blended with bass heavy electronic production.
The production aesthetic is open and exploratory: bass-heavy, playful, physical. Tracks shift between momentum and stillness, small sounds given room to breathe, low frequencies allowed to pulse and move. Underwater sounds captured with hydrophones, the textures of village life, forests and spoken word, sand and coral shifting, water drops, large wooden drum tones, woven together with bass-rich electronic production. Eleven tracks that work as both music and document: a sonic journal of place, time, and connection. Capturing the beauty, the warmth and the challenging rawness of the experience.
The album takes its name from the Samoan concept of relational space: the space between people, between land and ocean, between sound and silence, between movement and stillness. Sephton found this idea alive in the texture of daily life on the island: not as an idyllic retreat, but as something more demanding, a living space charged with energy and friction, and the real work of being present somewhere genuinely unfamiliar. VĀ reflects that. Music made in the spaces between, in the places where people and environment meet.
Sephton and Moloney worked side by side in Tiapapata’s studios and surrounding open spaces, Sephton with microphones, hydrophones and various sound machines; Moloney with clay. The place itself became a kind of shared collaborator. One track, Clay, came directly from that exchange: the sound of clay dissolving in water, captured beneath the surface at the moment of collapse. Form giving way. Structure becoming sound. This experience was such a surprise and thrill for Moloney. These sounds of the clay collapsing brings an insight into her medium she would not have otherwise experienced, now a visceral and treasured memory of their time together.
Perched in the lush hills above Apia, Tiapapata sits close to village life, away from the coastal resorts. It is a hub for artists, academics and cultural leaders from Samoa and abroad, with a strong focus on the restoration of traditional knowledge and skills. With a ceramic studio open to the tropical weather, a papermaking workshop making paper from native and pest plants, a dojo where locals and expats practise MMA, boxing and jiu-jitsu, a café and large communal gallery and performance space, it is a place which inevitably encouraged the sharing of ideas and inspiration. A perfect environment to explore new work.
Collaborations on the album include Tau’ili’ili Alpha Maiava who performs fagufagu (Samoan nose flute) on Horizon and contributes vocals on Turtle. Local rapper Badi, AKA Moonshine OSKK, lends vocals to Siva. Ben Percival adds percussion across multiple tracks, while Steven Percival plays foa (conch shell) on Horizon and Moana. Ghanaian papermaker Awal Muhammed, resident at Tiapapata’s papermaking workshop, contributes spoken word and the quiet, tactile sounds of handmade paper.
VĀ is released under Sephton’s own name, not his long-standing bass-music alias Matt Rapid. The first in what he intends as an ongoing practice of place-based music-making, work that goes somewhere, listens, and brings that place back in sound. An exciting shift for Sephton into something more personal and not bound by genre expectations.
This is an album designed to be heard as a whole.
VĀ is released 27 March 2026 on streaming platforms, or for download on Bandcamp.
Amelia Power Returns With New Single “Kingfisher” Delivering A Soulful Step Into A New Era
Amelia Power returns with her new single “Kingfisher”, an introspective and soulful track exploring heartbreak, healing, and personal reflection. Blending neo soul and indie influences, Kingfisher signals a fresh sonic direction for Amelia and the sound she is stepping into as an artist.
Amelia Power returns with her new single “Kingfisher”, an introspective and soulful track exploring heartbreak, healing, and personal reflection. Blending neo soul and indie influences, Kingfisher signals a fresh sonic direction for Amelia and the sound she is stepping into as an artist.
Written during a period of emotional upheaval following the end of a relationship, Kingfisher captures the process of moving through pain toward acceptance and growth. The song became both an outlet and a form of healing.
“This track feels like a sound I have been chasing for quite some time and the realm I want to be in moving forward as an artist,” says Amelia.
The title draws from personal symbolism. Amelia began noticing kingfishers repeatedly during and after the relationship, and the bird came to represent that chapter of her life.
“I wanted to tie it into the song metaphorically. It became a symbol of everything I was processing at the time.”
The single was co written and produced by Ethan Jupe, who also handled mixing, with mastering by Jamie Boyo. Reflecting on the creative process, Amelia describes the sessions as a turning point in her collaboration style.
“Working with Ethan was the first time I went into a project with nothing prepared. Starting from a blank slate felt freeing and pushed me creatively. Everything flowed naturally, and that’s when you know a project feels right and aligned.”
Kingfisher has received New Zealand On Air funding, marking an important milestone in Amelia Power’s growing career.
The accompanying visuals were shot and edited by Dylan Martin, drawing on a natural and earthy colour palette of white, green, and brown. Filmed in forested locations outside Auckland, the video functions as a visualiser rather than a narrative piece, focusing on emotion, movement, and connection with nature. Styling by Talia Rose.
“Kingfisher” will be available on all major streaming platforms including Spotify and Apple Music.
Pop queen PRINS releases her boldest body of work yet - HEAVEN OR HELL
New Zealand’s very own pop-dance queen PRINS has today dropped her biggest and boldest body of work yet - her five-track EP, HEAVEN OR HELL.
New Zealand’s very own pop-dance queen PRINS has today dropped her biggest and boldest body of work yet - her five-track EP, HEAVEN OR HELL.
HEAVEN OR HELL is a collection of dance floor bangers like ‘DESIGNER’, ‘COOL’ and the new electro-pop/EDM tune ‘TRUST FUND BABY’, alongside powerful slow-burning anthems, like ‘RUN’. Each song showcases PRINS’ signature blend of high-energy pop and introspective storytelling, delivering instant hooks and lasting impact.
“HEAVEN OR HELL captures exactly where I am as an artist right now – confident, ambitious, and ready to take everything to the next level,” says PRINS.
PRINS has made waves with previous hits such as ‘That’s the thing x’, ‘Something New’, ‘Savage’ and ‘Copy Cat Killer’; as well as stand-out collaborations with Kiwi dance duo Lee Mvtthews - ‘Don’t Say It’ and ‘Come Down’. Her 2025 single ‘RUN’ hit #1 on the NZ Official Singles Charts, cementing her as one of the country’s most exciting pop talents.
Fans will be able to see PRINS live at the Once in a Lifetime – Manuka Phuel sponsored Synthony at the opening of Christchurch Stadium on Saturday May 16 – a show set to deliver a unique, immersive pop experience.
Looking ahead, PRINS is already diving straight into a new project of fresh music, alongside an exciting announcement of both NZ and international touring.
“2026 is going to be an incredible year. HEAVEN OR HELL is just the start – there’s so much more music and live moments on the horizon,” says PRINS.
About PRINS:
PRINS seamlessly combines her multifaceted talents in acting, dancing, and modeling into craft a distinctive brand of electro-pop that has taken both the New Zealand and global music scenes by storm. In 2022, PRINS released her debut EP, LIFE IS BETTER NOW, a collaboration with big names like Marlon Gerbes (SIX60), Drax Project, and House Of Wolf (Carlie Hanson). This release garnered immense success, with tracks ranking on various NZ charts, extensive radio rotation across NZ, the UK, and Germany, and led to her affiliation with industry icons like New York-based AntiFragile Music, LA/Quebec-based House of Wolf, Grammy nominated Chris Gehringer, and Grammy winner Tom Norris.
But it was 2023 that truly marked her zenith. PRINS embarked on an expansive international tour, performing 20 shows in just 4 months across NZ, AUS, the Philippines, Spain, and the UK. Among these performances, her standout act at Primavera Sound in Barcelona left an indelible mark. Her collaborations with Caity Baser (UK) on the NZ leg of her tour and K-Pop icon, GIRIBOY, on an NZ/AUS support tour, added another feather to her cap. Making her presence even more prominent in the KPOP realm, PRINS secured a coveted slot at the inaugural KWAVE festival in Auckland, further cementing her versatility and appeal across music genres.
In 2024, PRINS continued to captivate audiences by packing out the James Hay Theatre in Christchurch and supporting Rudimental at the Town Hall. Her electrifying performance with Synthony in front of over 30,000 fans at the Auckland Domain showcased her dynamic stage presence. Her tour of Germany, highlighted by a standout performance at the Bremen Summer Fest, further solidified her international appeal.
With an endless supply of new music on the horizon and after a creative residency in LA for most of the year, 2026 looks incredibly bright for New Zealand's latest pop export.
One of Aotearoa’s most remarkable voices, Deva Mahal, takes fans on a journey to the future on her stunning new EP
Deva Mahal’s highly anticipated EP, FUTURE CLASSIC VOL II: FUTURE is out today! Today’s EP release comes on the back of the recent tour announcement, which will see the celebrated Pōneke-based artist, Deva Mahal, performing eight dates across Aotearoa.
Today’s EP release comes on the back of the recent tour announcement, which will see the celebrated Pōneke-based artist, Deva Mahal, performing eight dates across Aotearoa.
FUTURE CLASSIC VOL II: FUTURE is the latest body of work from one of Aotearoa’s most remarkable voices. It features the haunting new single ‘Slow Down’.
‘Slow Down’ is all about “centering yourself through community and locating yourself and who you are through connection. It's about slowing down and leaning into the connective tissues that hold us all together,” says Deva.
Deva adds: “For me, connection to the natural world and to the human spirit is what sustains me and in this artificial and capitalistic world full of pain and suffering, I want to remember what really matters and that is love and protecting our planet and all the life that exists upon it.”
Also on the EP is ‘Lifeline’ – a favourite song of the artist; one that tells the story of her personal experience with panic attacks. “My friends Rāwiri Waters and Callum Lee played a 3-part string arrangement for this one, with Bray Jeffrey co-producing with Rāwiri. Making this song with such good and kind friends was really special; really healing.”
The cast of LIFE OF THE PARTY also feature a star-studded lineup of Joel Jones (Borderline, Georgia Lines), Josh Naley (Wells*, Foley, Paige), Vivek Gabriel, Roberto Panovski, Frances Carter and Chris Gehringer (Dua Lipa, Harry Styles).
Indie-pop star, Bridges, releases praiseworthy EP, LIFE OF THE PARTY + dreamy new single & video ‘Drive’
Critically-acclaimed Aotearoa indie-pop artist Bridges, has today released her anticipated new sophomore EP, LIFE OF THE PARTY, along with the new dream-pop single and video ‘Drive’. LIFE OF THE PARTY sees Bridges step boldly into an undeniable pop direction, with elements of dream, synth, and singer-songwriter pop woven throughout the project.
Critically-acclaimed Aotearoa indie-pop artist Bridges, has today released her anticipated new sophomore EP, LIFE OF THE PARTY, along with the new dream-pop single and video ‘Drive’.
LIFE OF THE PARTY sees Bridges step boldly into an undeniable pop direction, with elements of dream, synth, and singer-songwriter pop woven throughout the project. At the core of the 5-track EP is Bridges’ knack for layering catchy indie-pop tunes with powerful, relatable lyrics.
The lush new NZ On Air-funded lead single ‘Drive’ is also out today, joining the previously released ‘Life of the Party’, ‘Lungs’ and ‘Close To You’, which saw Bridges feature on ZM’s Acoustic Corner and Rolling Stone AU/NZ.. A true road-trip anthem, ‘Drive’ captures the escapism of being on the open road with friends, without a care in the world.
“‘Drive’ is about, quite literally, driving away from your problems” says Bridges. “It’s a song that really summarises this era of Bridges for me; LIFE OF THE PARTY has seen some light coming back into my life over the course of making it. 'Drive' symbolises a new kind of carefree feeling I’ve caught glimpses of in the past year.”
The single is brought to life on 16mm film by critically-acclaimed NZ director Tom Grut - with Devan Narsai as the Director of Photography and Doug Bagg working as 1st Assistant Camera. Journeying into the evergreen environment of Riverhead and Cornwall Park, the visualiser captures the song's raw and “in the moment” essence, with Bridges explaining “we wanted the footage to feel nostalgic. Nothing says nostalgia like not filming in digital!”
Also on the EP is ‘Lifeline’ – a favourite song of the artist; one that tells the story of her personal experience with panic attacks. “My friends Rāwiri Waters and Callum Lee played a 3-part string arrangement for this one, with Bray Jeffrey co-producing with Rāwiri. Making this song with such good and kind friends was really special; really healing.”
The cast of LIFE OF THE PARTY also feature a star-studded lineup of Joel Jones (Borderline, Georgia Lines), Josh Naley (Wells*, Foley, Paige), Vivek Gabriel, Roberto Panovski, Frances Carter and Chris Gehringer (Dua Lipa, Harry Styles).
NZ pop artist Sophie-Maude shares her flirty side, on steamy new single ‘Hotel Lobby’
Flirty, exciting and upbeat is Sophie-Maude’s new single; the rising Aotearoa pop artist today releasing her dance-floor ready anthem ‘Hotel Lobby’. ‘Hotel Lobby’ is a major indication of what’s to come from this emerging star, marking an evolution of an artist that's growing a stronger, more vivid identity.
Flirty, exciting and upbeat is Sophie-Maude’s new single; the rising Aotearoa pop artist today releasing her dance-floor ready anthem ‘Hotel Lobby’.
Already having success in the NZ pop sphere with her 2022 single 'Take Me Away' hitting #1on the NZ Hot 40 Singles Chart, today’s release indicates a shift for the now 22-year old artist, to a more mature site of her artistry and an exploration of her growth.
“This release marks a point of evolution and progression for me as an artist, breaking out of the "G-Rated" pigeonhole that young artists find themselves in,” says Sophie-Maude.
“I want to be taken seriously as a songwriter and artist, and this is the first of many songs that show growth and a new, more mature side of my abilities.”
The artwork for the song was shot by Nicholas Charles at the beautiful Clarence Boutique Hotel in Tauranga, with designer cosmetics, lingerie, a camera and wine glasses all alluding to what happens when you break the 'first-date rules'.
“‘Hotel Lobby’ is about being on a first date and breaking all of the rules (eg. "no kissing/going home on the first date") by ultimately deciding to book a hotel room together,” says Sophie-Maude.
It’s the ultimate track for getting ready for a first date, “when you're fantasising about your crush and hyping yourself up for a big night.
“I have the funny memories of shouting "OH, MY, GOD!" for the bridge over and over in my producer Flynn Adamson’s home studio, while his flatmates were trying to work.”
Sophie-Maude first emerged on the R&B-pop scene with singles ‘Comfortable’, ‘Insane’and ‘Only One’. She also features on renowned Kiwi act Deadbeat’s new single ‘Diamonds’ alongside hip-hop producer and DJ, Joey illah.
Sophie-Maude is a multi-talented artist at the fulcrum of an evolving R&B and pop scene. Already selling out headline shows in Aotearoa, she recently performed as part of Tāmaki Makaurau’s Christmas in the Park, and has opened for Ōtautahi pop princess PRINS and local legend Hollie Smith. Her 2022 single 'Take Me Away' (#1 Official Hot NZ Single Chart, RadioScope NZ Airplay, ZM Locals Only) was followed by 'Vertigo' which spent 7 weeks on the NZ RadioScope Airplay Charts.
Using music as a form of self-expression, Sophie-Maude is a passionate and active advocate for invisible disabilities internationally, largely due to her own experience with Autism, ADHD, OCD, and Tourette’s syndrome. She has raised over $300,000 NZD for neurodivergent charities in the last few months alone.
‘Hotel Lobby’ is a major indication of what’s to come from this emerging star, marking an evolution of an artist that's growing a stronger, more vivid identity.
Emerson’s “Just Not Into You”: Where brutal honesty and insecurity merge.
“Just Not Into You” is Emerson’s latest pop-rock release, blending sharp, conversational lyricism with a driving guitar-led pop sound. Written in Melbourne with Kiwi producer Ciarann Babbington (Baker’s Eddy), the track captures the awkward emotional territory between honesty and insecurity, turning the uncomfortable act of friend-zoning someone into a hook-driven pop moment.
“Just Not Into You” is Emerson’s latest pop-rock release, blending sharp, conversational lyricism with a driving guitar-led pop sound. Written in Melbourne with Kiwi producer Ciarann Babbington (Baker’s Eddy), the track captures the awkward emotional territory between honesty and insecurity, turning the uncomfortable act of friend-zoning someone into a hook-driven pop moment.
The collaboration continues Emerson’s working relationship with Babbington, who also produced her previous single “Again,” which debuted at #10 on the Aotearoa Hot 20 Singles Chart earlier this year and secured multiple Spotify and Apple Music editorial playlist placements. Mastered by Seattle engineer Barrett Jones, the track adds further polish to Emerson’s growing catalogue, balancing playful humour with the emotional tension that defines much of her songwriting.
Auckland-based artist Emerson is quickly emerging as one of Aotearoa’s most compelling new pop voices. The Rockquest-winning songwriter began releasing music in late 2024 and has already seen seven of her nine singles reach the Aotearoa Hot 20 Singles Chart, alongside editorial support across Spotify and Apple Music internationally.
Her music has also gained consistent radio airplay across New Zealand while building a growing global audience online. Alongside her recorded releases, Emerson has developed a strong live profile, performing headline shows and national tours while appearing at key industry events including IMNZ’s Going Global and the NZ On Air Music Showcase. She has also secured festival slots including Rhythm and Vines, continuing to expand her presence both domestically and internationally.
With a steady run of new releases planned and increasing international attention, Emerson is positioning herself as one of the next wave of pop artists emerging from Aotearoa.